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Allen & Heath

Allen & Heath QU Series Plays Multiple Roles at Highview Baptist

Four Allen & Heath Qu Series digital mixers perform a wide variety of jobs for Highview Baptist in the smaller and medium-sized spaces across its three-campus network in Louisville, Kentucky. Technical Director Rick Mead says these rooms host everything from band or drama rehearsals to large meetings and conferences. “So, part of my job is to equip each of these spaces, and the groups who use them, with the audio systems and other tools they need to be successful.”

Highview’s first Qu Series mixer was a Qu-24, purchased from Full Compass Systems to replace an older analogue console. Mead says, “Honestly, we were so blown away by what that little mixer could do that it changed our thought process for our smaller spaces.” Highview then added three Qu-16s and Mead continued, “One of the things I love about the Qu Series is that, for a small mixer, the features and hardware are great. The preamps are super clean and the digital processing for reverbs and effects is actually better than some larger mixers I’ve worked with from other brands.”

Highview also purchased three AB168 portable remote AudioRacks to use as stage boxes and a ME Personal Mixer system for in-ear monitors in their main sanctuary that travels to the smaller spaces as needed. “After I put in that first AB168, I decided I was done with analogue snakes,” said Mead. “And all my band members just love the ME-1s.” Mead often records events using the mixer’s multi-track Qu-Drive output linked to a PC running Waves Tracks Live. For training and setup, he plays back the recordings using the mixer’s virtual soundcheck (VSC) feature.

ALLEN & HEATH QU SERIES PLAYS MULTIPLE ROLES AT HIGHVIEW BAPTIST

Mead used his Qu-16s for a recent youth retreat. “We had two separate bands in two different spaces and, for the last session, we needed to combine them. I had spent a lot of time doing things like dialling in the drums and didn’t want to start that process over. So, I saved my show file on a flash drive. Then, I brought up another Qu-16 in a portable rack, recalled my settings from the flash drive and configured a few more inputs. What could have been a complicated setup became fluid and simple.”

Mead comments, “Allen & Heath is the only manufacturer I’ve found that keeps a similar workflow and structure from their smaller mixers, like the Qu, all the way up to their larger consoles, like SQ and the new Avantis. That greatly simplifies training and helps us standardize our systems. My ultimate goal is for us to be top to bottom Allen & Heath.”

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Allen & Heath

Allen & Heath Compact Consoles Cover Coachella

April 30, 2018 – Allen & Heath dLive Digital Mixing Systems were in use on multiple Coachella Valley Music and Arts Festival stages in support of a diverse lineup of musical acts and production needs.

Launched in 1999, Coachella has grown into a premier music and arts festival, grossing over $114 million and drawing over 250,000 attendees annually. Coachella 2018 saw a large number of dLive artists on the lineup, including BØRNS, Hayley Kiyoko, Nile Rodgers & Chic, Nothing But Thieves, PVRIS and The Neighbourhood.

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An Allen & Heath C1500 at FOH supporting The Neighbourhood at Coachella 2018

Praised for its intuitive workflow and tiny footprint, the dLive C1500 Control Surface was a popular choice across Coachella festival stages. The C1500 is the first rack-mountable surface for the dLive system. Packed in a diminutive frame are 12 faders over 6 layers, built-in audio I/O, an audio networking port and a 12″ capacitive touchscreen. All dLive Control Surfaces pair with a MixRack to deliver 128 input processing channels, 16 stereo  FX returns and a configurable 64 bus architecture, all at 96kHz, while providing class-leading latency of 0.7ms.

Michael Bangs, Allen & Heath USA Live Sound Touring Manager commented, “Sometimes coming into a festival environment as a visiting artist is a real pain — getting a large mix surface into the FOH position is frequently just impossible. We saw many acts bypass this limitation with the (Allen & Heath dLive) C1500, carrying in a flyable 19” wide desk with the horsepower and capability of desks literally 4-5 times the size.”

In addition to traditional FOH/monitor console support with dLive, compact Allen & Heath Qu Series mixing consoles were deployed to cover a wide range of production duties. A number of Qu production desks were used to play house music while FOH consoles were swapped from act to act, support event announcement playback and carry ‘shout box’ communications for production staff across stage positions and from monitor world to FOH.

“While engineers love to drool over high-end desks like dLive, it is easy to forget some of the unsung production gear heroes of these types of shows,” notes Allen & Heath USA Marketing Manager Jeff Hawley. He added, “Many times the flexible and rock solid operation of consoles like Qu are the key to keeping festivals running smoothly.”

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Pop star Hayley Kiyoko’s Coachella set, powered by an Allen & Heath C1500 (right) while an Allen & Heath Qu Series mixer provides stage production support (left)